The next morning, Maris releases a dove out the window of her apartment. She grabs a book and heads down to the lobby for the first time in a long time. Gavin is there to meet her. Maris hands over the book. She’s marked the page that will be of interest to him. Gavin opens the book to find Jane’s signature on the guest list from Peter Kramer’s party in 1927. Outside, Maris stops in the middle of the sidewalk with the Drake at her back. She transforms into a flock of white doves. The birds fly off into the sky. As for Jane, she sees Libby in her bathroom mirror asking for her help.

Olivia enlists Tony to help her get Shaw to reveal the location of her once-thought-dead daughter, Sasha. They await a meeting at a building that’s currently under construction. Shaw manages to break free from his bindings to attack Tony. Fortunately, Olivia has a gun to settle him down. She hears Sasha’s voice over the phone. Olivia wants Shaw to take her to her daughter or she’ll take him back to the Drake. Killer Kandinsky pulls out a high-powered rifle as he watches Olivia enter the apartment building where her daughter resides, but Sasha isn’t home. BANG! Shaw is shot dead and Olivia is left with no clue as to how to find her daughter.

Gavin arranges a meeting with political consultant Phillip Perez for Henry regarding an open a city council seat. The get-together never happens. Perez says his firm can’t back a guy who has a girlfriend who spent time in a psych ward. Laurel learns that this Perez guy dodged city taxes on a land deal. Henry uses this as leverage to force the political consultant to make Jane’s medical files go away. Perez lets Gavin know that he was impressed with what Henry did. He believes that his protégé may have an enemy—someone who leaked Jane’s psych profile. Gavin suspects the leak may be Laurel, who, as it turns out, is actually his daughter—Sasha.